"It's none of their business, is it?" was Owen's unexpected rejoinder. Fleda had already noted that no one so slow could ever have had such rapid transitions. Fleda smiled down at her companion, who, cloaked and perceptibly bowed, leaned on her heavily and gave her an odd, unwonted sense of age and cunning. She took refuge in an evasion. "He couldn't tell me anything that I didn't know pretty well already."!

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"

"If he went," Fleda asked, "doesn't that exactly prove that he recognized one?" "And did you think your mother would see you?" "You've come down to it, miss, already?"